shanmonster: (Default)
I'm gonna share a bunch of my writing resources with you. These are things I check frequently, and have helped me with my publications.

The Submission Grinder: I find this one a little tricky to use, but it's very helpful for looking up magazines by pay rate, genre, etc.

Submittable: Invaluable resource. I track my submissions here. Membership is free, and you can find all sorts of calls for submissions, contests, fellowships, and more. The downside is there is no way to search for paying magazines only, and there are no ways to filter out magazines you don't want to see.

Chill Subs: A lot of people swear by this resource, and the folks running it seem like good people doing this as a passion project. They also have a mailing list which includes special calls for submissions as well as writing workshops.

Authortunities: You can sign up for the mailing list to get a curated list of magazines/anthologies seeking submissions. The free version is all you need. The paid version shows a bit more stuff from the next month, but that will show up in the next free email. Friendly community, too.

Writing & Selling Stories with Angelique Fawns: Various writing resources for novels and short stories. Also includes interviews with authors and a curated monthly list of upcoming calls for submissions--mostly speculative.

Moksha: A list of magazines and anthologies seeking submissions. Primarily speculative fiction/poetry. I've had several pieces published through this.

Query Tracker: A place to track literary agent queries and to find which agents are open to submissions.

The Horror Tree: Not just horror. Covers speculative fiction in general. Has craft essays, calls for submissions, writing prompts, book reviews, and more.

Write, Publish, Shine: Run by the wonderful, super-supportive editor Rachel Thompson, this is a writing community and publishing school. I took her Lit Mag Love course, and it's what really got me organized and turned into a publishing machine.

Community of Literary Magazines and Presses Calls for Submissions: A bit of a pig in a poke, really. I've found a few good things here, but it also includes magazines which charge you money in order for you to submit work, and it doesn't say if this is the case in the listings. A bit of a pain in the arse, in that regard.

Canadian Authors Awards and Competitions: Not just for Canadian authors. Listing is by deadline, and entry fees and prize amounts are shown prominently.

Publishing... and Other Forms of Insanity: Terrific resource with lists of paying markets, free competitions, residencies, and more.

Science Fiction Poetry Association: Lists paying magazines which do not charge you money to submit your speculative poetry.

Literary Outlets for Environmental Writing: Some of the places listed are no longer around, but still is the best (and only) list I've seen for this genre.

Aswiebe's Science Fiction, Fantasy, and Horror Market Listings Online: A spreadsheet of speculative magazines listing word counts, pay rates, etc.

The Short List: Places which publish flash and micro fiction.

Eric J. Guignard: Personal blog which includes calls for submission for dark fiction.

Alex Davis Events: Alex puts together workshops, festivals, and other events which feature excellent authors and scholars on speculative fiction. Specialties include folk horror, body horror, ghost stories, and the uncanny, but there are also courses on science fiction. Good stuff. I've gotten a lot out of these courses over the past few years.

The Fairytale Sessions: An excellent and inexpensive series of generative writing workshops hosted by Saraswathi Sukumar. These focus on fairytales, especially the works of the Brothers Grimm and Hans Christian Andersen. I've written many stories based on writing prompts here.

Weird West Fiction: Do you write weird westerns? This is where to find resources for this cross-genre.

Authors Publish: Website and mailing list with lots of upcoming calls. Great for authors, not so hot for publishers, as being on that list results in a lot of authors sending things which don't match up with the submission calls. For example, if someone is publishing only military thrillers, they might be sent high fantasy instead. Always make sure you're sending a publisher the sort of stuff they are looking for.

Weekday Night Bites has a heap of videos about horror writing and the history of horror.

Not writing related, per se, but if you're sick of trying to read a story only to find it's behind a paywall, Paywall Reader will help you get around that.
shanmonster: (Tiger claw)
I only started recording my writing submission rejections partway through last year. There was a time when I aimed for 100 rejections a year. In my six recorded months, I logged 283 rejections. I didn't record my submissions or acceptances, but have started doing that as of today. Last year, I had 29 publications.

How many of each will I get this year? Place your bets as to whether or not someone will make me an offer for one of my full-length manuscripts currently on submission. Oh yes, and are there any literary agents out there who would like to represent me? I sure could use the help.

My most recent publications of the year are a sound recording of -ocide in Eavesdrop Magazine and a reprint of "The Silent Madness of Whales" in Heathentide Orphans 2025.

A short story I've enjoyed recently is Why one small American town won’t stop stoning its residents to death by Anonymous. It's a modern-day followup to Shirley Jackson's The Lottery.

In non-writing news, I've been dealing with and recovering from frozen shoulder for the past year and a bit. My fitness goal for last year was to be able to do a dead hang from rings or a pull-up bar. I went from not being able to reach the bar at all to being able to hang for a total of ten seconds. For a one-time aerialist and competitive athlete, this is awful. But for someone recovering from adhesive capsulitis, it's fantastic. I can finally hold a shitty side plank on that side, too, which is a huge improvement from not being able to put any weight on that arm without agony.

I have never been one for New Year's resolutions, but I do try to set goals for myself. This year, I hope to recover enough to be able to do pull-ups and push-ups again. I also want to be able to open jars again, and to be able to put on and take off my bra without needing to twist it around to the front. My right arm/shoulder is the weakest it has ever been after a year of minimal use, but that will change.
shanmonster: (Dance Monkey Dance!)
Three new publications have squeaked by just before the end of 2024:

Today, my poem "Angakkuq" was published ahead of schedule by On Spec Magazine.

A couple of weeks ago, my short story "Sirens Don't Sing Underwater" was published by Moonlit Getaway.

Also, my poem "The Stolen Language of My Ancestors" was published in Heart, Hope and Land: Reclaiming Indigenous Voices, IHRAM 2024 Quarterly Literary Magazine.

That brings me to a total of twenty-six poems, essays, short stories, and plays published by twenty-two publishers this year. My story "Wolf Mother" was nominated by Augur Magazine for the Aurora Award. My essay "Saddles in the Kitchen" was nominated for the Pushcart Prize.

I received a microgrant from Pat the Dog and a grant from Waterloo Arts Fund to continue my work as a short story writer. I am grateful for their support.

An early version of my essay "Monsters" was shortlisted for the Dreaming into Collective Futures contest by Textile Magazine. My poetry collection Poemuit was a finalist for the Kelsey Street Press QTBIPOC Prize. My short story "The Tupilaq" came in third place for the Iridescence Awards. I received a scholarship for GrubStreet’s Novel Immersive for LGBTQ+ Writers. I won second place in LSUA's 2024 Flash Fiction contest for “The Yolk of the Moon” and was shortlisted for “The Lupercal.” I was longlisted for Speculative Literature Foundation’s Diverse Writers/Diverse Worlds Grant. And I was longlisted in The Forge Flash Fiction Competition for “The Bird Husband.”

I appeared on two podcasts: Readers Delight and Write Publish and Shine.

I had public performances/readings at Waterloo Bookfest, the Cabbagetown Festival, Elmira Multicultural Festival, the Mikhko-Kiskisiwin launch at Idea Exchange in Cambridge, and at Flights of Foundry where I was also a panelist on folklore of the world.

By request of a horror anthology editor, I'm currently in the midst of revising my short story "All That Came From Our Lips Were Lilies." Here's hoping she likes it.

I'm also in talks with an editor putting out an anthology of fiction and science writing. We'll see if anything should come of that.

I've applied for a few residencies and writing intensives next year, and am still waiting to hear back if I receive any of them. I've also entered several other contests and am waiting to hear back if I'm longlisted for any of them.

The wonderful Richard Van Camp requested I send him my short story "Hartley and the Woodstove" and the follow-up novella "The Temperance Ridge Runaways." I'm thrilled he wants to read them, and can't wait to hear what he thinks of them.

I already have nine stories and poems scheduled to be published in 2025. I don't see how I can beat what I've accomplished this year, but I'm gonna give it the old college try.
shanmonster: (Liothu'a)
When I was a little girl, I liked to walk down to the landwash to see the bodies of pothead whales. In the late ‘70s and early ‘80s, they often beached themselves on the shoreline of my home in Musgrave Harbour, Newfoundland. My family had to keep the dogs on leashes, otherwise they would tunnel inside rotting whales and roll around. The dogs loved the smell, but we did not.


- opening from my newest published piece: "The Silent Madness of Whales" in The-More-Than-Human-World edition of About Place Journal.

This essay was about two years in the making, made possible by a grant from Pat the Dog Theatre Creation
shanmonster: (Zombie ShanMonster)
It continues.

Upcoming:
  • My flash fiction "The Redcoats Are Coming" has been accepted for the Done in a Hundred anthology by NUNUM. It is about the kidnapping of Indigenous children by the RCMP.
  • My CNF piece "Monsters" has been chosen for inclusion by Textile KW. It is about institutionalized racism and police violence.
  • My poem "Original Sin" is forthcoming in Arc Poetry Magazine.
  • Book reviews for VenCo by Cherie Dimaline, Everything You Dream is Real by Lisa De Nikolits, and Moon Boots: The Chronicles of a Country Crooner by Lorenz Peter are forthcoming on Carousel Magazine's Blog.


Now available:
  • "The Ghosts of Forests Past" has been published by Solarpunk Magazine
  • My short story "Monkey Business" and my poems “Anirniliit: Those Which Breathe,” “Nuliajuk’s Promise,” and “Seasons of the Nattiq” are now available at Yellow Medicine Review


I recently realized that my poem "In Slipstream" is viewable for free at Augur Magazine.

I did not get the residency at Banff this year, but I'll apply again next year.

I've applied for the graduate program at Simon Fraser University's The Writers Studio. I'm not sure when I'll hear back. I was accepted before but withdrew because I'd won the Yosef Wosk Fellowship at the Vancouver Manuscript Intensive. Maybe they'll accept me again.

I have also applied to become an editor for a speculative fiction magazine. It doesn't pay, but I think the experience will be very educational and will also help get my name out there in the SpecFic world.

I am developing stories and artwork for the IMPACT23 Festival. I'll be working with Bangishimo and with Jordan M. Burns of Third Wheel Theatre Co. on the theme of Monsters.

After I got home from my vacation in Costa Rica in April, I ground to a halt in continuing my novel. I'm pleased to say that I'm back in the saddle and have passed the 77,000-word mark. I'm finally working on the climactic moments of the story. Thanks to the Waterloo Region Arts Fund for their support!

This fall, I will be reading at Book Fest, sponsored by the KW Writers Alliance. Details to come.

Here I am reading a couple of stories for Indigenous People's Day last month:

February 2026

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